#SLOMO NEW YORK TIMES MOVIE#

It’s “endlessly haunting and disturbing,” he says. Once you’ve seen the unspeakable act it captures, Morris says, your sense of stability and safety, your sense of the rationality of the world, has been forever lost. In fact, there is a YouTube compilation that includes no fewer than five versions of the Zapruder film-slow-motion, zoomed-in, close-ups. That instant is one we can all now watch on YouTube. If a man that powerful, that young, that rich, that successful, can just be wiped off the face of the earth in an instant, what does it say about the rest of us?”

The Kennedy assassination is very much an essay on the unsafety of the world. “Safe at least in the sense that we can know about it. “We like to feel that the world is safe,” Errol Morris tells me. The frame that gave Abraham Zapruder nightmares, the frame he insisted be withheld from the public-a single frame of film that can be said to have changed American history and culture. What is not well known, however, is that a single frame of it was kept largely secret from public view for 12 years after the assassination.įrame 313. Most people vaguely know about the Zapruder film, but it will soon become omnipresent as the 50th anniversary of the assassination of John F. Twenty-six seconds that included a historic, horrific, all-too-clear vision of a presidential assassination.

#SLOMO NEW YORK TIMES MOVIE#

It’s been called the most important 26 seconds of film in history: The 486 frames of 8-millimeter Bell + Howell home movie footage shot in the midday sun of Dallas on November 22, 1963, by a dressmaker named Abraham Zapruder.

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